Featuring stories from Eric Shanower, Troy Riser, Michael Tierney, and seventeen other masters of the form, FANTASTIC VOYAGES is all about doors --
Paul Simon Brings A Joyful Noise To St. Louis
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My top five favorite concerts are all act that have been around for several decades: Chick Corea’s Return to Forever, John Fogerty, Rush, Tom Petty and the Heartbreakers and now Paul Simon. I will let you draw whatever conclusions you will from that with regards to the staying power—or presumable lack thereof, of many contemporary pop acts. These acts are all Hall of Famers for a multitude of reasons, be it musicianship, songwriting, the ability to connect to a wide audience of diverse demographics, and more. On a hot humid Sunday evening at the Fox Theatre in St. Louis, Paul Simon demonstrated that fantastic music is absolutely timeless.
The Fox had a pretty full house from my vantage point when the seventy-four year old legend took the stage, backed by his excellent band of multi-instrumentalists. He was a couple of minutes later than the scheduled start time because he wanted to try to catch his wife Edie Brickell on the Tony Awards. She was nominated for Best Score along with actor/comedian/bluegrass star Steve Martin for their musical BRIGHT STAR. Who can blame a proud husband for wanting to see his wife win the biggest award in a given industry? Certainly not his fans in St. Louis, who greeted Paul with an enthusiastic standing ovation when he arrived on stage. Within moments the audience realized they were in the presence of rock and roll immortality—Simon’s voice still rings out with that somewhat sad, somewhat hopeful tenor he’s become known for since his early partnership with Art Garfunkel.
With charm, humor and style, the veteran entertainer took the audience on a musical journey, weaving Simon and Garfunkel classics with solo Simon hits and a few tracks from his newest CD, STRANGER TO STRANGER, which resonated with me immediately. It’s always interesting to see what influences an artist today who was influential himself as far back as the days of the British Invasion and Woodstock. For his newest release, Paul is clearly living in the here and now, poking fun at the everyday hassles of being blocked from the stage by a steadfast guard in “Wristband,” taking a sideways glance at the modern experience in “The Werewolf,” and the title track, which instantly sounded like a song Sting wishes he’d wrote.
The Paul Simon concert of June 12, 2016 featured timeless music, ageless talent, an historical venue, and a few thousand people in one place who loved the experience as one. It was a celebration of hope in a world that is sadly in increasingly short supply of it. It really shouldn’t be that hard to be better people. Paul has explored various cultures around the world and found something to celebrate in each. Why should the rest of us do any less?
I’m not 100% positive on the set list because the Internet has “El Condor Pasa (If I Could)” cited and I disagree—I know I heard “I Know What I Know” during the show. That’s my story and I’m sticking to it!
Main Set:
Proof
The Boy in the Bubble
50 Ways to Leave Your Lover
That Was Your Mother
Rewrite
Kansas City
Dazzling Blue
Slip Slidin' Away
Mother and Child Reunion
Me and Julio Down by the Schoolyard
Spirit Voices
The Obvious Child
Stranger to Stranger
Homeward Bound
I Know What I Know
Duncan
The Werewolf
The Cool, Cool River
Diamonds on the Soles of Her Shoes
You Can Call Me Al
Encore 1:
Wristband
Late in the Evening
Still Crazy After All These Years
Encore 2:
Gumboots
The Boxer
The Sound of Silence
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